Roger Deakins has photographed some of the most visually stunning films of the last thirty years — from Fargo to 1917, from No Country for Old Men to Blade Runner 2049. His work is characterized by a precision and restraint that make the complex look effortless.
This profile explores Deakins' approach to cinematography — his use of natural light, his mastery of composition, and his ability to create images that serve story while remaining visually stunning. The result is a portrait of an artist whose work has defined the look of contemporary cinema.